Cira Robinson
Cira was born in Cincinnati, Ohio, where she began dancing at the age of eight. After graduating from the Performing Arts School in 2004, she moved to New York to dance full-time with the Dance Theatre of Harlem. During her three years there, she performed at the White House for the President of the United States, as well as the Protégé Festival. In 2008, Cira travelled to the United Kingdom for the first time to join Ballet Black. In the summer that year, she danced with Ballet Identity in Los Angeles, before returning to Ballet Black in November. Since 2008, she has danced in Ballet Black commissions by Martin Lawrance, Richard Alston, Henri Oguike, Shobana Jeyasingh, Sophie Laplane and Robert Binet to name a few. She created the role of one of the Furies in Will Tuckett’s Orpheus (2011) and the lead role of Nola in Ballet Black’s production of Storyville, choreographed for BB by Christopher Hampson in 2012, and reprised the part in 2016. In 2013 she was featured in War Letters (Christopher Marney) and received her first nomination for Outstanding Classical Dancer at the Critics’ Circle National Dance Awards in 2014. She also created the role of Titania in Arthur Pita’s Ballet Black production of A Dream Within a Midsummer Night’s Dream and The Serpent in Second Coming (choreographed by Mark Bruce). In 2016, she was a featured dancer in Arthur Pita’s Cristaux, and in 2017, was a lead dancer in the revival of Martin Lawrance’s Captured. She also created the role of Red in Red Riding Hood by Annabelle Lopez-Ochoa. In 2017, Cira, along with Company Founder, Cassa Pancho, collaborated with renowned British ballet shoe manufacturer, Freed of London, to create two brand new pointe shoe colours to enable dancers of black descent to buy skin-tone pointe shoes ready-made. These are now available to buy worldwide. In 2018, Cira reprised her part as Titania in Dream and created the role of Matilda in The Suit (Cathy Marston). In August 2019, Cira was invited to join Scottish Ballet as a Guest Artist to perform in their production of The Crucible by Helen Pickett. Between 2020 and 2021, Cira danced in new ballets both live and on stage by Mthuthuzeli November, Joseph Sissens, Will Tuckett and Martin Lawrance. She also teaches regularly at the Ballet Black Junior School, Artistry Youth Dance and the Yorkshire Ballet Seminars.
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16Also Known As
CiraCira Robinson
Cira was born in Cincinnati, Ohio, where she began dancing at the age of eight. After graduating from the Performing Arts School in 2004, she moved to New York to dance full-time with the Dance Theatre of Harlem. During her three years there, she performed at the White House for the President of the United States, as well as the Protégé Festival. In 2008, Cira travelled to the United Kingdom for the first time to join Ballet Black. In the summer that year, she danced with Ballet Identity in Los Angeles, before returning to Ballet Black in November. Since 2008, she has danced in Ballet Black commissions by Martin Lawrance, Richard Alston, Henri Oguike, Shobana Jeyasingh, Sophie Laplane and Robert Binet to name a few. She created the role of one of the Furies in Will Tuckett’s Orpheus (2011) and the lead role of Nola in Ballet Black’s production of Storyville, choreographed for BB by Christopher Hampson in 2012, and reprised the part in 2016. In 2013 she was featured in War Letters (Christopher Marney) and received her first nomination for Outstanding Classical Dancer at the Critics’ Circle National Dance Awards in 2014. She also created the role of Titania in Arthur Pita’s Ballet Black production of A Dream Within a Midsummer Night’s Dream and The Serpent in Second Coming (choreographed by Mark Bruce). In 2016, she was a featured dancer in Arthur Pita’s Cristaux, and in 2017, was a lead dancer in the revival of Martin Lawrance’s Captured. She also created the role of Red in Red Riding Hood by Annabelle Lopez-Ochoa. In 2017, Cira, along with Company Founder, Cassa Pancho, collaborated with renowned British ballet shoe manufacturer, Freed of London, to create two brand new pointe shoe colours to enable dancers of black descent to buy skin-tone pointe shoes ready-made. These are now available to buy worldwide. In 2018, Cira reprised her part as Titania in Dream and created the role of Matilda in The Suit (Cathy Marston). In August 2019, Cira was invited to join Scottish Ballet as a Guest Artist to perform in their production of The Crucible by Helen Pickett. Between 2020 and 2021, Cira danced in new ballets both live and on stage by Mthuthuzeli November, Joseph Sissens, Will Tuckett and Martin Lawrance. She also teaches regularly at the Ballet Black Junior School, Artistry Youth Dance and the Yorkshire Ballet Seminars.